The highest level of technical museology. The highest level of science-focused photojournalism and imaging. The highest level of large venue video projection and pixel mapping. On the National Mall in the nation’s capitol, the week before Thanksgiving, one event combined those three activities important not only to this writer but to our industries in general. As invited press to the opening gala for Nature’s Best Photography Windland Smith Rice International Awards Exhibition, held on November 16th at the Smithsonian National Museum of Natural History in Washington DC, it did not take long to remember– in this year of both tumultuous politics and blurring technology market boundaries– why I love this industry. Even in a world of images anywhere, and fractious politics everywhere– celebrating both the highest levels of imaging and the highest level of civic cultural stewardship is still exhilarating.